Citizen Four versus Snowden – Who Wins?

It seems like yet another disappointing blow for counter cultural forces, if that’s even a term that applies here, when we learn that a feature film is coming out of Hollywood to fill us in on the “truth” behind the Edward Snowden whistle-blowing episode of recent times. What, and this really is a pressing question, is so wrong with Citizen Four that a Snowden even has to be made? Depending on how you like your conspiracy theory kind of stuff, it’s easy to imagine that O. Stone has done all manner of freaky stuff to ramp up the tension between the NSA and Snowden himself, and then presumably also the Kremlin, given Russia’s role in housing Snowden.

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But what is the overall effect of such profiteering meddling? Will we learn anything more from Stone’s film? Citizen Four seemed a pretty good effort at uncovering, potentially, a whole hornet’s nest of deception and lies and darn right Machiavellian plotting on the part of the NSA and GCHQ, so where does Snowden come in in all of this? If, yet again, we end up with a dumbed-down approach to something that, if true (Snowden’s accusations that the NSA (and GCHQ) has the ability to spy on ALL its citizens), should be investigated by all manner of responsible bodies (but not really sure who or what might fulfill such a role, given the state of governments these days). Perhaps the money that went into making and distributing Snowden may have been better spent spreading the word, and distribution, of Citizen Four. But then again, who’d have made serious money from that? Not Gordon-Levitt, nor Stone, nor Woodley, nor the countless studios involved in production, and on and on and on…

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...reading, thinking, and thinking about reading... ...and then writing... View all posts by the textual silence project...

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