Category Archives: David Foster Wallace

Esta es Voluntad?

Just a very quick post as I’m finding it hard to tear myself away from the figure of St. Theresa of Avila, whom I’m reading about because of the reference to Bernini’s sculpture, The Ecstasy of St. Theresa, in David Foster Wallace’s Infinite Jest. And so this post manifests itself in the aftermath of Reggie Yates’ documentary, more on which here, the second in his series titled Extreme UK (#ExtremeUK), which deals with a certain kind of anti-feminist rhetoric (wryly titled “meninism” by some Twitter users, a term I happen to like, funnily enough).

Should we be surprised at the “disenfranchised,” “disempowered” men speaking such anti-woman (as much as anti-feminist, if we’re being honest) sentiments? After all, it seems to hail from a tradition dating a long way back into our shared human history; in fact, we may pause to consider Paul’s words here: “The women should keep silence in the churches. For they are not permitted to speak, but should be subordinate, as even the law says. If there is anything they desire to know, let them ask their husbands at home. For it is shameful for a woman to speak in church” (1 Corinthians 14:34-35).


Some doubt Paul’s misogyny, and in some respects that’s really beside the point, for it is in the countless ways in which such words have been used to keep women “in their place” over the centuries that the key issue is to be found – we need only look to St. Theresa herself for a concrete example of this. Anyway, back to the book (Alison Weber’s Theresa of Avila and the Rhetoric of Femininity (which is very good)).


Top-Knots, DFW, Men’s Fashion

A radio interview with David Foster Wallace’s sister, Amy, hears her tell of DFW wearing his hair in a top-knot and being discouraged to do so by his family, sensitively, so as not to hurt his feelings. Amy’s explanation of why DFW should not be wearing his hair in a top-knot was that it’s kind of the thing that little girls do – I’m paraphrasing here – and that the reason the family had to be so sensitive about breaking this news to him was that he had a problem with feeling that he wasn’t ‘masculine’ enough. But DFW was obviously rocking this look at a time when others weren’t – and fair play to him for that. Doing anything that makes you stand out is kind of tough, and wearing a top-knot sometime in the 80s, I’m guessing from Amy’s recollections, must have been a pretty hard look to pull off for a guy from the Mid-West. Fair enough, you might say, but, what of the current surge in top-knot wearing?tumblr_mwypodYTTl1s968ago1_1280

The current trend for top-knot wearing is interesting, and controversial. It doesn’t always work, but don’t knock a person for trying. Anyhoo, here are a couple of links to do with men wearing top-knots – although the New York The AWL feature has lots of pictures of ones worn at the back of the head – surely not a top-knot by its very definition (a top-knot should be worn above the occipital bone, and preferably above the recession, IM humble O).

Life After Television @aaronsw #citizenfour – another collection of personal musings whilst conducting research of the #davidfosterwallace archive at the Harry Ransom Center, UT, Austin, TX (Day Nine)

I’ve been wanting to read, or at least take a look at George Gilder’s book, Life After Television, for a while now. The reason being its inclusion in ‘E Unibus Pluram,’ DFW’s now infamous essay on television and U.S. fiction. LAT is a strange book, part proclamation on future technologies and part advertisement for Fed-Ex (and part anti-Japan rhetoric, oddly), with lots of pictures of Fed-Ex drivers, amongst other stuff, delivering packages in romanticised locations; my favourite being a shot of a Fed-Ex van crossing a bridge in Bruges at 9:23am, taken with the sort of filter that leaves the picture looking like it’s been steeped in milky coffee to give it a warm glow.

 watching_tvdonsnooki A-supposedly-fun-thing-first-edition-cover

Anyhoo, my comment here comes from Gilder’s assertion on p.31 that [Sic]:

The force of microelectronics will blow apart all the monopolies, hierarchies, pyramids, and power grids of established industrial society. It will undermine all totalitarian regimes. Police states cannot endure under the advance of the computer because it increases the powers of the people far faster than the powers of surveillance. All hierarchies will tend to become “heterarchies” – systems in which each individual rules his own domain. In contrast to a hierarchy ruled from the top, a heterarchy is a society of equals under the law.


To wit, DFW leaves a comment in the margins: “And how will law be enforced, you smug prick?” (that made me giggle a bit).

It does make you wonder if the future democracies that seem to have been promised as a by-product of the advent of technological advancement have floundered somewhat. Do we feel that our powers are greater than that of the surveillance society? Do we see an end to totalitarian regimes? Two recent documentaries speak to these questions, but I’m afraid the answers they provide are not all that optimistic.

The first, The Internet’s Own Boy, tells of Aaron Swartz’s (@aaronsw) story. It is almost too sad a tale to be true, but unfortunately it is true, and a young, gifted individual now lies dead while those people who did little to avoid his death, and did much to accelerate it, go about their lives with hardly a care, it would seem.

The second, Citizen Four (#citizenfour), is almost too dark to be true. Whether what Edward Snowden says about the information he has in his possession is true or not, there is a sense, like the sense you get from watching The Internet’s Own Boy, that the ‘freedom of information’ that the Western world prides itself on is not all that free after all.

And here we have pause to consider DFW’s comment and to think, in light of seemingly endless revelations of wrong-doings by institutions that are meant to represent ‘the people’ (by the people; for the people), just how will the law be enforced as we move further along with technologies that are meant to provide us with unseen levels of personal freedom?

#fivedials – another collection of personal musings whilst conducting research of the #davidfosterwallace archive at the Harry Ransom Center, UT, Austin, TX (Day Six Entry Four)


Not that I intended writing a fourth entry today, not that I plan things that way as anyone who reads these pages will know – bursts of stuff all at once and then nothing for weeks (and ever so random in ways that today’s entries attest to). This entry snuck up on me when I read the Five Dials piece commemorating the life and work of David Foster Wallace. The opening by Amy Wallace-Havens is astonishingly beautiful. That’s it, really.

Queer and Transgender Representation, and the Queering of Language in the Works of David Foster Wallace: So What [is] the Exact Pernt to that Like [?]

‘Queer and Transgender Representation, and the Queering of Language in the Works of David Foster Wallace: So What [is] the Exact Pernt to that Like [?]’ by Matthew Alexander, as part of a special issue of The Luminary – an open access journal, based at Lancaster University’s Department of English and Creative Writing.

The North West Gender Conference 2014

Constructions of Gender in Research

Gender symbol

Issue 5: Winter 2014

ISSN 2056-9238 (online)

The second annual North West Gender Conference was held at Lancaster University on 22nd April 2014. The conference was attended by 80 postgraduate students from across the UK who came together to discuss gender in a variety of contexts. This special issue of The Luminary contains a selection of conference papers which were submitted for publication. The diversity of the papers highlights and reflects the range of research areas that were represented at the conference.

Read online by following this link or download the NWGC Special issue pdf.

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