Tag Archives: #HackingRobot

(Still) Troubled by Mr. Robot_2.0 – Symbolism #MrRobot #HackingRobot

Episode four of Mr. Robot, Season Two, provides a piece of symbolism that may or may not be pointing towards one of the greatest unexplained, and largely unreported, events of the 21st Century. It is hard to say whether it is, or whether it isn’t, because the show is quite confusing with respect to the messages it sends out (see most of the previous Mr. Robot posts for an expansion of this thought).

The show probably gets away with this very piece of symbolism because it takes place during a dream sequence, and so, the weird, dreamy kind of stuff taking place perhaps softens the effect. But still. To have a high-rise building suddenly collapse in free-fall, in New York of all places, seems kind of bizarre, and it must have crossed the producers’ minds that adding such a scene references the collapse of World Trade Center 7.

WTC7 is rarely mentioned. So much so, that there is even a campaign to raise awareness of its collapse. Now, whether you’re into “conspiracy” theories or not is beside the point. A skyscraper collapses at around 49:40 of episode four. It suffers no damage. It just collapses in free-fall. When you see it you think: demolition. Given that it is widely recognised that buildings do not just collapse in such a manner, and that WTC7 is believed to be the only building to have ever done so, in New York on 11th September 2001, are the producers directly referencing this event, or is it just a coincidence?

There is probably a whole range of possibilities here. But here are two that I grapple with on an almost daily basis.

  1. Mr. Robot is a vehicle for expressing subversive thought, and it speaks to those who long for an alternative to the present capitalist system of Western industrialised nations. Referencing WTC7 in this way is a reminder to not believe the mass media, and to recognise the ways in which it manipulates current events to fit with the propaganda of the dominant ideology (or something like that).
  2. Mr. Robot wants its viewers to believe the above statement. Because most viewers stream the show as and when they choose, there is a record of those viewers (those who are meant to lean towards the sentiments of statement A). Here, there is the potential for a Minority Report kind of tactic – recognise those with conspiracist/anarchist/revolutionist/whatever leanings, and monitor them (or worse).

Or it could just be a TV show, and there’s nothing more to say than that.

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(Still) Troubled by Mr. Robot_2.0 #MrRobot #HackingRobot

So, where to begin with this one? For those interested, there are previous posts that cover Mr. Robot Season One and such things as metaphors and references; White Rose; is any of it real?; and the end of consumer-debt society.

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Well, the trailer is out and things are set to get darker in the world of Mr. Robot, and Sam Esmail seems to have full control of his project, but the one thing that is still being wrestled with, and that has not fully been shaken off since first binge-watching season one, is: at what point will Mr. Robot and its anarchic sensibility be corrupted by the inner-workings of a “Hollywood” system that rarely engages with such subversive forms of fiction, or is there scope to consider that the eventual, and perhaps unintentional outcome of the show will be a nationwide, perhaps even part-global raising of the collective state of consciousness to such an extent that people will start to wake up to the fallacies (freedom (generally), autonomy, the capitalist model and “democracy” as fundamentally linked, and so on…) of contemporary life in, primarily, post-industrial cultures?

Or is there nothing more to it than that it’s just another form of contemporary media that keeps us glued, zombie-like, to our screens? Surely not…

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